Mandala Design: What’s More Whole? The Triad or the Quaternity?

I recently received an interesting email from a Mandala Magic practitioner about the nature of a mandala containing dream symbols she shared with her Jungian therapist.

The therapist indicated that the triadic design could represent an incompleteness, according to Jungian principles, as Jung famously felt that the quaternity represented wholeness.

In my understanding of both Jungian mandala symbolism and Mandala Magic practice, would I have anything to add to the mix? 

It’s an exploration that may be interesting to my fellow Mandala Magicians, so here’s my take on it, from a very quick interaction with the practitioner and a quick scan of her mandala design.

The Jungian View: Why Quaternity?

Carl Jung’s preference for the quaternity was based on his theory of individuation—the process of integrating all aspects of the psyche into a balanced whole. 

He saw the number four as an archetype of completeness, stability and order:

  • Four represents balance, e.g. in an understanding of personality, there is a balance of four psychic functions—Thinking, Feeling, Sensing and Intuition. 
  • The Christian Trinity lacked an essential “shadow” element necessary for integration. Three suggests an unresolved tension—it lacks the fourth stabilising function.
  • Alchemically, the fourfold processes, including the elements of earth, water, air and fire, were central to the transformation of the Philosopher’s Stone, which he saw as an allegory to achieving psychic wholeness.

In this framework, a mandala design structured around three might be seen as missing a vital component which would help form a compensatory or integrative function within the psyche.

Quaternity Through a 19th/20th Century Lens

While Jung derived his mandala insights from a cross-cultural perspective, his viewpoint was attained by his particular experience as a man of his time in an extremely patriarchal culture:

  • Foundational Christian upbringing—his father was a Christian pastor. 
  • A study of medieval alchemy (often portrayed through a Christian lens) that he interpreted as a parallel to modern psychological thinking through symbolism.
  • The 20th-century preference for psychological stability rather than fluidity as a necessary condition of “wholeness” in a time of fast-paced change and instability.

In contrast, many traditions have seen three-ness as complete in itself.

In these systems of understanding, triadic structures emphasise movement, fluidity and transformation as the process of existence.

The Triadic Perspective: A Different Kind of Wholeness

Triadic cosmologies are widespread–they appear in Indo-European, Asian, Indigenous, and mystical traditions, suggesting that threefold thinking is an ancient way of understanding the world.

Contemporary mandala practitioners with an open worldview might recognise the triadic structure as reflecting a different mode of wholeness to Jung’s interpretation—one based on the fluidity of the psyche and the natural cycles of life and death.

  • The Three Worlds, Three Life Stages, and Threefold Divinity concepts appear in Hinduism, Norse mythology, Christianity, Buddhism, and Daoism.
  • Rather than requiring a missing fourth element, triads often self-complete through movement e.g. life-death-rebirth, past-present-future.
  • Unlike a fourfold design, a triadic mandala might be seen to illustrate flow, relational dynamics, and ongoing transformation. 

From this viewpoint, the practitioner’s dream symbols mandala may reflect an unfolding journey, which allows for transformation through cycles of life, death and regeneration.

Triadic Mandalas: Psychic Tension or Another Path?

A Jungian interpretation might lean towards a threefold structure equating to unresolved psychic tension, but that assumes that four is always the goal. 

If we see three as complete in itself, then a triadic mandala does not indicate something missing, but a different experience of wholeness and may reflect an ongoing transformation, where movement is key rather than closure.

  • Quaternity (Stability, Structure, Integration)
  • Triad (Flow, Process, Change, Becoming)

Bridging Perspectives

When designing or interpreting a mandala, it may be useful to consider:

  • Does the mandala subject suggest a stable, integrated whole?
    • If so, a four-fold design might fit. The lack of a fourfold design could indicate something unconscious or unresolved.
  • Does the subject suggest ongoing transition, transformation, and movement?
    • If so, a threefold design may be the best symbolic reflection.

However, these are not hard and fast rules. Consider a wobbly four-legged table in the pub compared to a stable three-legged stool!

Honouring the Practitioner’s Experience

The key to interpreting a mandala design is nuanced and absolutely relates to the lens through which we see the world. 

Whatever feedback a therapist or other viewer offers should be understood as a starting point for exploration and discussion. 

If the therapist has introduced the question of why a mandala design is threefold rather than fourfold, there is an opportunity to explore the questions raised and see where they lead. 

In this case, the mandala design might simply be expressing a different aspect of wholeness than Jung’s mandala symbolism represents. If the practitioner felt the mandala was whole, without any missing elements, it’s important to honour that.

Jung’s mandala symbolism is an important step in our understanding of the mandala archetype, but it is not an absolute standard.

However, the conversation opened up in dialogue with an outside observer can deepen our understanding, as can that with the mandala itself.